Parmigiano Sans Hebrew
4 styles
Typotheque
Typotheque
The idea of a sans serif to accompany a roman inspired by Bodoni raises the question of how to apply Bodoni’s design sensibilities to a typeface he would never have designed. Parmigiano Sans owes a design debt to early nineteenth century Grotesques such as William Thorowgood’s Seven Line Grotesque (1834), which were characterized by pronounced contrasts between thick and thin strokes, brusque terminations and an overall roundness of the letters. While these features are quite obvious in the bolder cuts of Parmigiano Sans, the lighter weights show less contrast and the Light cut is almost monolinear.
| Foundry | Typotheque |
| Designers | Yanek Iontef , Jonathan Pierini , Riccardo Olocco |
| More Info | typotheque.com |
Light
Regular
Medium
Bold
